Artist grade: A
Vocal grade: C+
Vocal range/type: Soubrette (Soprano), C3-D6 (Three Octaves, One Note)
Best album(s): E•MO•TION
Worst album(s): N/A
Best song(s): "Sweetie, "Run Away With Me", "Call Me Maybe", "Cry", "Bucket", "Tonight I'm Getting Over You", "Good Time" (with Owl City), "Sour Candy" (ft. John Ramsay), "Your Type", "Part Of Your World", "Your Heart Is A Muscle"
Worst song(s): "It Takes Two" (with Mike-Will-Made It and Lil Yachty)
Positives: Nice, pleasant sounding, bright and airy vocals that fit all styles of music she has attempted. The voice is extremely light and has a youthful, but not immature tone that stays pretty consistent throughout her range, including her falsetto. Her voice does lose quite a bit of its breathiness in the upper range, starting around the A4. 5th octave notes are a bit raspy. Like said prior, her falsetto is bright, and she can easily transition to it from chest voice, and can stay in it for a long time. While she's had her share of immature songs, her songwriting often shows experience and maturity, which is good considering she's in her 30s. Often well-written compositions. Diverse personality, allowing her to play all sorts of roles in her content. While she often doesn't utilize it, she is a decent guitar player.
Negatives: The immature songwriting at times such as with "Call Me Maybe" can come off as off-putting for some people. There's not a lot of support from her diaphragm, causing the voice to lack resonance throughout the entire range. A lot of people, particularly classical and choral music listeners, won't often be fond of the breathy vocals, especially in her lower range. She has trouble with intonation and support while belting. Not everyone is a fan of raspy vocals, and her more cute, girly tone is not to everyone's tastes. Her voice doesn't carry a lot of weight.
Overall: She's cute. Coming from someone who's over a decade younger than her, I'll admit that. Crush on her aside, while being far from stellar as a vocalist, she often has good production to support her vocals, and she knows what music works well for her voice. It's fun to think she has the same top note as me (a D6, though I can probably go higher). She is a competent songwriter and composer. She can convincingly play cute and innocent, sensual, or sexy in her content. I'd be willing to call her a hidden and very underrated gem. Carly Rae Jepsen shows you can be an amazing musician without being a great vocalist.
Hey Naos, this is Techfan! That's quite an impressive review of Carly. I guess there's a lot of your voice training that you definitely understand that I don't within this review. As with Ellie Goulding, I consider those them as youthful sounding female voices, in spite that both are in their early 30s.
ReplyDeleteI agree on your first "Overall" comments up to "aside," for myself. Regarding It Takes Two, Lil Yachty definitely ruined that song even though it was played a lot on TV thanks to the Target commercials.
Which reminds me that I should work on making meaningful Labels on my own blog.
Thank you. If you have any questions as to the terminology, or if there's something you don't understand, feel free to ask. I do agree on that part about Ellie Goulding.
DeleteAnd yeah, haha, I just had to put that in there, about the crush thing. I'm kinda at a loss for that now. I don't mind Carly's rapping actually. It's a bit too "girly", but it can fit in pop-rap quite well I think.
Yeah, labels would make sense. It's a lot easier to find stuff that way.
fuck,
ReplyDelete